Aesthetics (International edition)

  1. About Aesthetics (International edition)
  2. Aesthetics Online
  3. Former Issues (No.1-No.11)

1. Aesthetics (International edition) is published every year by the Japanese Society for Aesthetics. For the time being contributors will be generally limited to the members of the Society.

2. Aesthetics Online

3. Former Issues

No.11 (Special Issue) Looking At Japanese Culture (March 2004)

ANZAI Shin-ich, Is the World a Garden? Garden Aesthetics between the Japanese and English Traditions
Jaqueline BERNDT, The Time of Comics. Readings a Post/historical Art Form from the Perspective of Manga
Christine CONDOMINAS, La Decoration des telephones mobiles et les netsuke -- Une inscription traditionnele dans la modernite
Rolf ELEBERFELD, Einteilung der Kunste in interkultureller Perspektive
Jorg H. GLEITER, Exoticism Reversed--Japanese Theme Parks
Anna GRZEGORCZYK, Orientalisation de l'esthetique semiotique
ISHIHARA Midori, The Meaning of "SHASEI"(Sketching and Drawing) in the Creation-- The Way of TOKUOKA Shinsen--
IWASAKI Yoko, Art and the Sense of Smell: The Traditional Japanese Art of Scents (ko)
KAYA Nriko, Changes in Japanese "Modern" Calligraphy
KISHI Fumikazu, The Laughter in 1794/95: Sharaku's Kabuki Actor Prints as Media for Visual Communication
KUWAJIMA Hideki, Double Bias in Adopting Burke's Aesthetics: The Meiji Constitution and its Influence
Catharine MAUREY, Danser la cruaute: Correspondences entre les theories theatrales d'Antonin Artaud et le Buto
Leith MORTON, Yohimoto Takaaki's Aesthetics and Hegel--With Specific Reference to Gengo ni Totte Bi to wa Nanika--
NISHI Kinya, Wretched Offspring of the Emperor: The Politics of "Japanese" Narrative in Semimaru Readings
OTA Takao, German and Japanese Aesthetics in 1910-1920--Reconsidering "allegemeine Kunstwissenschaft"
Dusan PAJIN, Haiku in the 21st Century Aesthetics: World haiku-Meeting of East and West
Paolo QUINTILI, Philosophie et bandes dessinees. Pour une esthetique pedagogique du manga
Alessandro SALICE, kora bei Derrida und Nishida
Barbara SANDRISSER, The Seductive Torii
SATOW Morihiro, The Tourist Gaze and the Picturesque in Early Yokohama Photographs
Sonja SERVOMAA, Beauty in Nature--Transculturally Revalued
Minna TORNIAINEN, What makes Tea Truly "Fascinating"? The Interaction of Artifice, Naturalness and "Fascination" in the Japanese Way of Tea
UEMURA Hiroshi, Memoire et Paysage-Institutionalisation du monument natural au Japon
Krystyna WILKOSZEWSKA, The Category of Spatiality in Japanese Art and Aesthetics
YONEYAMA Masaru, A la recherce de l'esthetique du lieu

NUMBER 1 OCTOBER 1983

KUSANAGI Masao, Die Metafiguration als Form der japanischen mittelalterlichen Kunst - Zur Theorie von ?Yugen" und ?Yojo" -
TANIDA Etsuji, Works of Art without Names of Artist
YAMAMOTO Masao, Traditionelle asthetische Gedanken in Japan
KANEDA Tamio, ONISHI Hajime und die Entstehung der neuzeitlichen Asthetik in Japan
WATANABE Mamoru, Der Begriff ?Spiel" in der japanischen Kultur - Sein Tun-Charakter und Nicht-Tun-Charakter -
IMAMICHI Tomonobu, Declivity of Image and Transposition of Contrast
NAKAMURA Nihei, Prafiguration und Urfiguration
YOSHIOKA Kenjiro, Reflections on Aesthetics
SASAKI Ken-ichi, Esthetique de la Miniature - Essai sur la grandeur des choses -
SHINOHARA Motoaki, Marges de l'homme et du langage


NUMBER 2 MARCH 1986

KIKKAWA Eishi, The Musical Sense of the Japanese - The Wind in the Pines, the Sounds of Insects, Ashirai -
DOHI Yoshio, Bruno Taut in Japan
ISHIDA Akira, Asthetik als Spielraum des Asthetisierens - Ein Denkversuch uber das Wesen der Asthetik -
ISHIHARA Tatsuji, The Will to Might as Art and Cognition - On Heidegger's Interpretation of Nietzsche -
MORI Mitsuya, Drama and Law
KANATA Susumu, Die Imagination als komplizierte Struktur - Uber das Bildbewustsein bel E.Husserl -
FUJITA Kazuyoshi, Der Sinn vom ?Sinn der Erde" in der perspektivischen Asthetik
ISOYAMA Tadashi, Martin Luthers Musikbegriff - Die Befreiung der Musik von der trivialistischen Musikanschauung -
NISHIYAMA Shigenori, The Manuscripts of Ghiberti's Commentarii and Three Writings on Art Written in the Sixteenth Century
TAKEUCHI Toshio, Das Poetische in der Kunst - Mit Rucksicht auf den japanischen Stil -


NUMBER 3 MARCH 1988

NITTA Hiroe, On Artistic Process: Eye, Hand, Language
YAMAGATA Hiroshi, Experience Esthetique: La Volonte d'exprimer et la Volonte d'expliquer
SASAKI Ken-ichi, Fiction et Verite
IGARASHI Hitoshi, A Theory of Creation and Beauty in the Qur'an
KAMBAYASHI Tsunemichi, Uber das Malerische oder Pittoreske
ASANUMA Keiji, Litterature et Imprimerie: Essai sur l'institution litteraire
AMAGASAKI Akira, The Function of the Subject Complex in Tanka
AOKI Takao, Zeami's Concept of "Flower" in Noh Performance
MASUBUCHI Soichi, An Aesthetic Study of the Doll: Man, Doll and their Houses


NUMBER 4 MARCH 1990

OTABE Tanehisa, Monadologie der Kunst - Untersuchungen zur Asthetik des Gefuhls als Tastsinnes bel Herder -
OTA Takao, Gefuhlsgestaltung und kunstlerishes Schaffen - Ein Beitrag zur Asthetik R. Odebrechts -
KATO Tetsuhiro, Picture-Reading? Gombrich and the Hermeneutics of Art
KATAGIRI Yoritsugu, First Studies on the Technical History of Leonardo's "Adoration of the Magi"
KANEKO Hiroaki, The Priest Shinran's View of Religion and His Portraits
MASUNARI Takashi, Back to an Original Stage of Sensibility: Through an aesthetic appreciation of the animation "Hedgehog In A Mist"
Horst Siegfried HENNEMANN, Shin, gyo, so: Stil und Methode - Die Asthetik der Teekunst des ?Yamanoue no Soji no ki" und ?Nampo-roku"
KANEDA Tamio, NAKAGAWA Jurei und die japanische Asthetik um die Jahrhundertwende


NUMBER 5 MARCH 1992

IWAKI Ken-ichi, ?Zwei Arten der Malerei" - Wandel in der Kunstauffassung Hegels -
MATSUO Hiroshi, Der Begriff der asthetischen Kategorie bei Baumgarten
NAGANO Junko, Das asthetische Urteil und die Freiheit bei Kant - Die Tragweite des sensus communis -
OKABAYASHI Hiroshi, Das Paradox des Schweigens - Uber den Begriff der Kunst Soren Kierkegaards seit seiner Kritik der romantischen Ironie -
KITAMURA Kiyohiko, De la distance esthetique
ANZAI Shin-ichi, GILPIN, PRICE, AND KNIGHT: A CRITICAL SURVEY OF THE AESTHETICS OF THE PICTURESQUE
OTSUKI Yukitsugu, A study in the Reconstruction of Duccio's "MADONNA Del Francescani"
SADAKANE Keiji, The Genesis of Buddhist Painting in Ancient India and Its Early Development - With Special Reference to the Relationship of Buddhist Communities to Painting in Early Times -
OHASHI Ryosuke, ?Iki" and ?Kire" - als Frage nach der Kunst im Zeitalter der Moderne -
NAKAMURA Nihei, West-ostliche Begegnung und Auseinandersetzung in der Kunst


NUMBER 6 MARCH 1994

MUTO Michio, Zitat und Kunstlerisches Schaffen - Anhand der Ubersetzungstheorie Walter BENJAMINs -
SHINOHARA Moto-aki, Communication et art
HAMASHITA Masahiro, Conception of 'the Whole' in Shaftesbury's Aesthetics
OTABE Tanehisa, Possible Worlds and the Analogy of Creation: Prehistory of the Modern Concept of 'Artistic Creation' in Leibniz-Wolffian Philosophy
CHIHAYA Toshio, Uber die Bedeutung des Wortes, ,schilderachtlich', in der niederlandischen Kunstliteratur des 17. Jahrhunderts
MASUDA Tomoyuki, Picturization of John l: 1-18 in Byzantine Manuscript Illustration
KISHI Fumikazu, The Perspective System of Early Uki-e: Okumura Masanobu's Series of O-Uki-e
KOBAYASHI Nobuyuki, Das dichterische Wesen der Sprache im Denken M. Heideggers
KATO Hiroshi, Mythos and Poiesis - A Possibility of Plato's Poetics -
HIGUCHI Satoshi, From Art toward Sport - An Extension of the Aesthetics -


NUMBER 7 MARCH 1996

Bohdan DZIEMIDOK, Wladyslaw Tatarkiewiez (1886 1980) and His Aesthetics
Heinz PATZOLD, Die Bedeutung von Merleau-Pontys Theorie der Sinne fur die Asthetik

YOSHIOKA, Hiroshi, Art as Symptom: An Essay on German Idealism
TAKANASHI Tomohiro, Die Philosophie Nishidas als eine ,Kunstlehre' - Uberlegungen zu Nishidas Beziehung zur Kunsitheorie Fiedlers -
CHINO Kaori, Gender in Japanese Art
KASUYA Makoto, Concerning Yamagoshi no Amida Zu and Jigoku Gokuraku Zu in Konkai-Koumyo-ji Temple
NINAGAWA Junko, The Half Length Devotional Portrait Diptychs by Rogier van der Weyden
EBANA Hinako, Le David de Michel-Ange - une Refiexion sur la genese d'une statue colossale -
MIYASHITA Makoto, Der dialogische Blick: Die Leerstelle und Betrachter in den Werken Paul Klees
OKADA Akeo, Zwischen Drama und Musik: Traditionelle Operndramaturgie in der Literaturoper
NAGATA Yasushi, The Three-dimensional Abstract Stage of A. Tairov


NUMBER 8 MARCH 1998

KANEDA Chiaki, Focus Imaginarius of Aesthetical judgment : A Study of Kant's "Critique of judgment"
AKIBA Fuminori, Emotion in Aesthetic Experience and the Description of Works of Art
NISHI Kin-ya, "Form should not be Tautological": Epistemology of Form in Adorno's Aesthetic Theory
NAMIKI Seishi. A Study of the Shuhanron Emaki - Identification of the Original Kano School Version and Discussion of its Position within the History of Muromachi Painting -
SHIMURA Shoko. The Relationship between Sculpture and Kogei in Takamura Koun's Old Monkey
SHIMAMOTO Kan, Painting in the Catalogue - The Emergence of the Practice of "Looking at" Pictures in the Eighteenth Century -
NAGAI Takanori, An Aspect of Cezanne's Reception in Japan - The Formation and Development of the "Personalist": Interpretation of Cezanne in the 1920s -
TSUGAMI Eske. Vincenzo Galilei and Notated Examples of Ancient Music - An Aspect of Classical Tradition in Western Music -
TANOGASHIRA Kazutomo, Le temps musical et l'audition du silence - Sur que1ques perspectives de Gisele Brelet -


NUMBER 9 MARCH 2000

NISHIMURA Kiyokazu, Photography as Narrative
KOBAYASHI Nobuyuki, Heidegger und die Frage nach dem Wesen des Schonen
UEMURA Hiroshi, Memoires et sensibilite dans le spritualisme francais
MAEKAWA Osamu, The Panorama and its Subject
OKADA Atsushi, 'ma che l'applicate voi al nostro senso ?': The mythological pictures of the Palazzo Vecchio in Florence and the Ragionamenti of Vasari
KANAI Tadashi, Canova's Marble Sculptures
SATO Miki, The Development of Tagasode-zu as a Genre of Screen Painting
NISHIMAGI Shin, L'influence de Boece sur le De musica de Hucbald de Saint-Amand
ISHIDA Minori, Representation of History: The Melodramatic Realism in Roberto Rosselini's Roma citta aperta
HIRAKAWA Daisaku, The Illusion of Death: Characterisation in Samuel Beckett's Not I

NUMBER 10 MARCH 2002

MATSUO Hiroshi, Kants Kritik an Baumgartens Asthetik
NAGANO Junko, The "Aesthetic" and the System of Exclusion: From the Discourse of Eighteen-century Aesthetics to Mary Shelly's Frankenstein
OTSUKA Naoko, Univocite de l'etre ed de l'art: theorie du temps selon Deleuze
TOYAMA Kikuko, The Bodies after the "End of Painting"
TANAKA Masayuki, The Uncanny and Man Ray's Manipulation of the Female Eye
HIRAKAWA Kayo, Durer and Jan Brueghel the Elder : one aspect of the pictorialization of Durer's drawings at the court of Rudolf II
SATO Morihiro,The City and its Representaion : Edo Doro-e as Visual Culture
YOSHIDA Hiroshi, Zur Idee der musikalischen Offentlichkeit Eine erneuerte Interpretation der Musikasthetik Eduard Hanslicks
WAKABAYASHI Masaya, Intertextuality in Aristophanes' Thesmophoriazousae

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